Coming 1 January 2025, LEGO® Icons set 10363 Leonardo Da Vinci's Flying Machine is quite unlike anything you've seen before from The LEGO Group!
We were present at the reveal of the set at Fan Media Days in Denmark in September 2024, where Antica Bracanov, Senior Designer (above) and Nathan Davis, Graphic Designer spoke about the product they helped develop.
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10363 Leonardo Da Vinci's Flying Machine
- Release date: 1 January 2025
- Pieces: 493
- Minifigures: 1
- Measures: over 25 cm (10 in.) high, 29 cm (11.5 in.) long and 35 cm (13.5 in.) wide
- US$ 49.99 on LEGO.com US
- CA$ 64.99 on LEGO.com Canada
- GB£ 54.99 on LEGO.com UK
- AU$ 99.99 on LEGO.com Australia
- NZ$ 109.99 on LEGO.com New Zealand
- DE€ 59,99 on LEGO.com Deutschland
- NL€ 59,99 on LEGO.com Nederland
- FR€ 59,99 on LEGO.com France
- PLN 269.99 on LEGO.com Polska
- NOK 829,90 on LEGO.com Norge
- DKK 529.95 on LEGO.com Danmark
The reveal
Interview with lead designer Antica Bracanov
New E: It sounds like a tough assignment?
AB: It doesn't look like it, but it was a really challenging model, and also really fun to work on, because, like, the whole model is basically one big function. There are numerous ways you could make this: you could use a lot of LEGO® Technic elements to make the function, but we did want to keep it in LEGO® System, because it is a LEGO® Icons model. There's always a balance, if necessary, but it was also maybe a personal challenge – I just wanted to use as many LEGO System bricks as possible.
New E: Since you weren't using LEGO Technic elements, what did you use for the function?
AB: Our main goal was to make everything move by the string; it's the string that's actually powering it. So basically, you have the main chassis, and everything else that's movable is one big function. Everything is interlinked, and if you put a link just like a millimetre further away, you get a different effect. It was really fascinating to just learn. I was learning a lot while working on this model. I worked with Mike Psiaki as well. I work with people that have so many skills and so many passions, but it is also sometimes really cool to work on something that you're not as passionate about, to learn so much.
New E: What was your favourite aspect?
AB: My favourite challenge on this was to calculate where the string had to be; you know, tight but not too tight? The big string goes around the whole model, and it needed to fit perfectly without being stretched. And at some point when I built one of the versions, you just find that perfect balance to go around the whole thing that feels so perfect.
New E: Was there ever a version where you tried to do it at minifigure scale or was it always bigger than that?
AB: We wanted to do it at this slightly bigger scale right away, because simply, it was the functions we want to show. We just want to showcase this as best as possible, the whole engineering behind it.
New E: I see you've put the recoloured elements on a display plate for us! I'm excited to see the bent posing stick here [Bar Curved with Axle End and 1 x 1 Round Plate; part 4042].
AB: I made it in brown; I think transparent was the only one before. [Ed: It also now comes in white in LEGO® Wicked set 75681 Glinda, Elphaba & Nessarose at Shiz Uni.] My favourite recolour is the steam pump. I mean, we wanted to keep it Renaissance, you know? We also have strings for the first time in dark tan. We wanted to have a proper rope colour – jute, or whatever this rope is made from.
New E: These are wonderful elements to have in these neutral colours.
AB: Everything was picked deliberately with the idea that we were staying close to the original colour scheme. There are a few elements that are grey that kind of resemble metal.
New E: Thank you so much, Antica!
READ MORE: Review of the epic Black Friday model The Endurance from LEGO® Icons
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This looks INSANE! And it's a small Ideas set! Possible day 1.
ReplyDelete"There are a few elements that are grey that kind of resemble metal", meaning "We're not allowed to recolor Technic pins", lol
ReplyDeleteI kind of wish that it had committed to being either a functional technic piece or an aesthetic system piece. It's sort of the same issue I had with the recent Droideka set, which is that trying to marry the two styles ends up with it looking fairly disjointed to me. Within each the connections can flow pretty well, but between the two you end up needing fairly large blocky bits to have anything stable.
ReplyDelete